Behind the Scenes: A Documentary Film Shoot in Cape Cod

Under director Vanessa Vartabedian a small documentary film crew steadily unpacked cameras from the trunk of a Volkswagen. It was a chilly day in December in Wellfleet, MA and also my first time traveling to Cape Cod. After purchasing my postcard, I'm pleasantly surprised to notice a friendliness in the cashier's small talk, something I thought could only be found in my small hometown in the Midwest. While both places are seeped richly and deeply in landscape the Cape has an incredibly special golden afternoon sea light that I've never seen in the midwest or at my home in Boston. Vanessa shared that this distinguished light is her favorite part of her "second home".  I smiled and began my experience to witness the Cape through two unique lenses: Vanessa's film passion and a man named Chuck.

Chuck, Vanessa's first interviewee, adorns a massive white beard and is an oyster-er, boat builder and lives in fantastically designed yurts. I've never been in a yurt and they are unassumingly super spacious inside. Chuck has dedicated different yurts to a sauna, kitchen, bedroom, and, the grand daddy of them all, one yurt to home his entire library and there's still space for his sewing projects inside. While we filmed in this giant ballroom of a yurt Chuck snipped away at sailing fabric and cheerfully told us the weaving of his dream to live on a boat full time someday. That'll surely come true.

Chuck also works as a DJ at a local radio station, WOMR (Provincetown, MA) and while filming in the radio studio I listened carefully to his voice on air. I was entertained as I heard him read a Christmas story from a book while sliding buttons to add dramatic sound effects to his listeners. During the interview sessions Vanessa showed her unique skill set of listening whole-heartedly to every word spoken.  She is experienced with this type of attention from her passion project "The Mosquito Story Slam", a live event where storytellers have 5-minutes to tell a true story based on a theme. Stories also seem to be Chuck's expertise; with an open heart Chuck told the film crew of loving family moments, future aspirations and shared how to honor his version of "the true meaning of life".  Hung on the front entrance of his kitchen yurt is a small, green banner with a Dalai Lama quote printed on it. Much like Chuck's charisma, these words are shared to welcome anyone who takes the time to read them.

“We are visitors on this planet. We are here for one hundred years at the very most. During that period we must try to do something good, something useful, with our lives. if you contribute to other people's happiness, you will find the true meaning of life.” - Dalai Lama

Discovering Environmental Portraiture: it already exists where you are

After I hit reply to my email thread with studio artist Tony Astone I re-read my response: "Don't worry about a thing, I'll make sure to bring my wide angle lens." He warned me about the size of the artwork (huge) and wanted to make sure it would work for our upcoming portrait session together. 

When I got to Tony's apartment in Somerville, MA, I walked in and was shocked: Lining the kitchen walls and all the hallways were 6+ feet canvasses. He wasn't lyin' about the sheer size of his art work. Luckily our photoshoot wasn’t a “copy photo session” (meaning the photographing of his paintings with even lighting, usually for portfolio reasons) but an individual lifestyle shoot to capture an environmental portrait for Tony’s recent achievement of being Somerville Arts Council Artist of the month. Before each shoot I always ask myself “what should be the backdrop of this environmental portrait?”, and within one second of walking into Tony’s kitchen I knew the paintings were the environment and perfect backdrop. So we photographed in front of them, gabbing the whole time over our shared love of American artist Cindy Sherman and my suggestions to channel his inner Dominic Chianese (The Godfather, The Sopranos). Tony easily and quickly relaxed with this suggestion, one hand on his kitchen windowsill, while his city-slicker cat, Zamboni, looked on. Zamboni is a black and white indoor-outdoor cat and is well known in the community and as friendly as his owner. But Tony has an intellectually charged deeper side in his artwork: the paintings are fantastically grotesque filled with brutal realities and metaphor. These paintings are fiery, political, sharp, honest, playful, and refreshing all in one colorful breath of a view. After our hour-long shoot together I asked myself: What makes a person dig this far into the depths of their creativity?

Tony’s latest politically charged oil painting lined an entire wall of his bedroom. In bold primary colors with comic book sensibility, I witnessed a painting of young children playing within a murderous scene in a classroom. This painting was intense - with a tension between playful and terrifying. The bold red color of the blood jumped out at me because it matched the same hue of red as the leather chair Tony sat on front of it. On a lighter note, Tony had amazing dark Italian hair with one strand that fell over his forehead, which I called “the Uncle Jesse strand” and we laughed and agreed John Stamos is a dream boat.

Tony’s sketchbook was another great element of discovery from the shoot. He opened the large black-bound book and with a tinge of vulnerability began showing me some of the most intricate sketches I’ve ever seen in a sketchbook. With tight line work and precise use of minuscule dots each drawing looked like a polished rendering. This is where his brainstorming occurs. After politely and directly telling me about the process I learned how Tony would spend months prepping each painting, sometimes laying them out in Photoshop, often changing the concept at the last minute, then spending hours (even days!) with a brush rendering them to a large scale.

Perhaps it was Tony’s schooling from Rhode Island School of Design, or the impressive amount of time he puts into his studio practice, but this work is impactful and liberating. It was an amazing photographic experience to witness an example of an artist who leaves behind no “should-haves” in his life. I highly recommend you see the paintings in person because they’ll swallow you in and spit you out covered in goopy insight.

If you’d like to see more of his work you can visit his website and read the full artist interview here. 

Take Good Pictures in Bad Lighting (flash-free on the iPhone)

Shooting in low light can be a scary, scary thing. Most of us prefer nice sunny days, our viewing screens filled with as much natural light as possible. But there are times when this simply isn't the reality. There's no windows. It's 10pm at night. You're at a concert and have to work quickly to make the shots as hot as possible. Yes, these situations can be tricky but here is some advice so you can focus on your subject vs the lighting hurdles.

Grab your phone because it’s time to try these tips!

1. Adjust your exposure in Camera Mode

Tap the iPhone camera screen on the dark areas to boost up your exposure of the image. It’ll brighten things up! Like a DSLR camera adjusting its settings, the more light will be exposed to the sensor, allowing you the most light into your camera as possible.

2. Add more lighting

How many photographers does it take to move a light bulb? ONE AND IT'S YOU. Grab a lamp nearby and light like you had a studio of lamps! No one will see that library-style desk lamp that you're awkwardly holding three inches away from your subject, just out of frame. Get weird! You can always send me some behind the scenes photos of your wildest lighting, I'd love to see how creative you can get!

3. Shoot somewhere brighter

If you are shooting indoors with low light and it's during the daytime, take the subject outside or pull some of those still life's to a picnic table outdoors. Move somewhere where there is more light. If you are in the center of a dark room during day time try your setups next to a window and let light flood over your subject all pretty-like.

4. Smooth with a filter

I use the VSCOcam app and love their editing features. You can adjust your “clarity” if the image looks a bit too grainy. Also, feel free to sharpen things or change to black and white in VSCOcam. Black and white photography has a long lineage of being grainy and offering wonderful contrast for low-lit situations.

5. If it can wait, then wait

What is this, a candlelit dinner date? No, it's a photograph! Can it wait until morning or tomorrow afternoon for you to shoot the perfect iPhone image? If it can, go ahead and wait. Your audience will be here when you’re ready. 

6. Embrace it

The truth is, I LOVE the drama of low light. If you only have one source of light at your disposal, try some new things! Photograph at a striking angle. Change your position. Try the photo with different subjects in the light and out of the light. Explore silhouettes. Now is your chance to be expressive! Shoot within your comfort zone but don't be afraid of challenging yourself with low light. I dare ya.

 [Special thanks to The Kevin Hayden Band for allowing Dakota Lenox Photography to shoot their group shots and behind the scenes of their show.]

Local Feature: Creative Influences of Musician, Robert Noyes

Robert Noyes is a local musician of Somerville, MA with a knack for sweet vibes and awesome sounds. I reached out to photograph him for the Somerville Arts Council because he is the Artist of the Month for June!

Robert Noyes of Somerville, MA

When I emailed Robert to arrange the photo shoot, he surprised me with the fact that we’d be shooting in his main space of inspiration - his home. I LOVED this immediately, excited to get a glimpse of the influences that fuel his work. Upon arriving, I noticed Robert’s extensive record collection that rivals some of the best I’ve seen. With Laurel Aitken’s reggae/funk/soul vinyl record “Sweet Rocking Mama / Reggae Serenade” (1975) hanging prominently in the living room, I knew this guy had impeccable musical taste along with talent.

In true cat lady fashion, one of the best parts was meeting his silky black kitty, Onyx. This old gentleman was kind to me and gets to live the ultimate life - listening to the sounds of Robert’s guitar everyday. Lucky dude *and* he photographs so darn well!!

Robert strummed his favorite guitar as I began to photograph, slowly drifting into a blissful state. He effortlessly created a beautiful acoustic ballad on the spot. I knew he practices for hours, honing on his natural abilities with the instrument, and this was dream-like.

While It was amazing to witness, it was evident this particular photo shoot would be less “directing” on my part (I didn't want to interrupt his flow) and more observational photographing. So I mentally switched gears, something that is often tricky for photographers. While he stayed in the zone, I allowed myself to drift and pay close attention to the details of his home studio; I loved the pile of handmade art on his music stand, the beautiful and delicate eggshell artwork in his kitchen that his girlfriend made, and enjoyed photographing closeups of his guitar as his fingers glazed through each note.  Special thanks to Robert for the free short concert, I will forever be impressed by your musical talents!

You can find more of his music and get in contact with him here:  robnoyes.bandcamp.com & https://www.facebook.com/robmnoyes/

To read the full interview with Somerville Arts Council please visit: http://www.somervilleartscouncil.org/artistmonth/2016

Boston Business Feature: styled photo shoot with Central Square Florist

For the last two months, I’ve been texting back and forth with Jackie of Central Square Florist in Cambridge, MA, designing a styled photo shoot. We initially met at a coffee shop with the idea to have this photo shoot and agreed on the theme of “casual outing”. From there we extended the collaboration to model/style & fashion blogger Victoria Hathaway and talented makeup artist Sydney Tess. The shoot would be in the beautiful setting of local business Cafe Luna and the surrounding Central Square community.

There were a lot of voices and styles that needed to come together for the shoot to be successful and working with Jackie to achieve our perfect vision had to be calculated. Our biggest challenge was giving each variable the attention it deserved.

Flowers by Central Square Florist

The photo shoot happily fell on a Thursday night, one of the first warm days of spring. Jackie and I walked from her storefront to Cafe Luna holding boxes of succulents, a colorful arrangement, and a bouquet that was bursting to life with orange and purple hues. We chatted on the way to Cafe Luna, our first stop of the evening. As we peeked through the giant garage-sized windows, we saw the shop slowly simmering in the aftermath of a busy day. We walked through the doors, noticing the golden yellow walls and the table settings with white paper placemats and crayons available for coloring.

The staff was smiling and offered us beautifully plated dishes and the perfect cup of joe, complete with a rosette swirl on top. We began shooting still lifes of the glorious flowers and the magical looking plates, with Jackie working as an art director for different positioning. She is incredibly decisive and I adored working with her because of this.

Victoria’s makeup was minimal and gorgeous, the beautiful artwork of expert Sydney. She carried a huge travel bag filled with outfit options, still warm from their car ride from Rhode Island. I reacted quickly and instinctively to her outfit options, and Jackie stepped in to have the final say on which outfits would work best with her flowers’ color palettes.

After 30 minutes of photographing shots of Victoria sipping on a cup of perfectly prepared cappuccino (everyone enjoyed several during the shoot - not a problem in my opinion!) we began to wander outdoors.

One of my favorite spots was Modica Way, a public walkway in Central Square connecting City Parking Lot 5 to Massachusetts Avenue. Modica Way is completely covered in artist’s graffiti, an absolute must-see for anyone in Cambridge. Victoria and I share a love of street art, so this environment totally fit our styles. Victoria wore an all black jumper and held a single gorgeous sunflower, an excellent suggestion from Jackie.

With any on-location urban shoot, there is the challenge of dealing with passersby and looky-loos. But Victoria displayed an admirable confidence as we got lost in the alleys. She allowed me to “do my thing”, sporadically and playfully halting her mid-walk to snap a photograph or asking her to shake her hair wildly. Even though the street bustled with activity, Victoria was comfortable and didn’t hesitate when I asked her to chomp down on the sunflower stem with her teeth. We floated our way through the city streets and the results are saucy. Thanks to everyone who made this styled shoot so fantastic!

The team:

Flowers/Plants: @centralsquareflorist | www.centralsquareflorist.com

Model: @veehathaway | www.thestylegurudotnet.wordpress.com

Makeup Artist :@sydneytess_ | sydneytess@gmail.com

Interior Location: @cafelunacentral | www.cafeluna-centralsq.com

Outdoor Location: Modica Way (#modicaway)

All photography: @dakotalenoxphoto

Learning From A Photography Workshop

This California workshop was originally an excuse to flee from a cold Boston winter.

There were seven of us, in the middle of Carmel, CA, sitting in a circle on a plush white leather couch of an airBnB house. When the afternoon sunlight sliced in, the whole place reminded me of a 70’s Hollywood film set. We’re a group of photographers, a group of strangers, here for "Theory the Workshop." We came here to learn about vital photo skills: technical development, working with models for styled shoots, marketing and editing hurdles, but most importantly, to uncover some truths about our work.

The back porch of the workshop grounds

The instructors for this course were Abi, of Abi Q Photography (Oakland, CA) and Brooke, owner of BlushbyB Photography (Salt Lake City, UT). Their portfolio work is primarily wedding photography, but looking deeper, their portrait work exceeds any commercial level and enters a realm of art. To me, Brooke’s work reads like a music staff, and we found out at the workshop that music inspires so much of her deeply emotional work. Abi is passionate about social justice, opening up discussion in her Instagram with the important changes she would like to see in the world.

I found the workshop by first admiring their work online and questioning why it seemed more honest and raw than other photographers I was following. Their work has a wisdom and I wanted some of 'dat.  

I swirled my first glass of red wine, lounging on the white shaggy rug of this retro home. I sometimes overcompensate for social discomfort by physically going overboard (I.E. rolling around on the floor). Abi opened with her ice breaker question, something we should be asking ourselves as photographers more than anything else. It's difficult to answer and continued to be for the remainder of the workshop.  

"Why are you here?"

Big Sur & Bixby Bridge

In my sixth year in business with photography, I was facing some obstacles around this time. The largest was the not-so-fun but entirely true concept of "the dead season". It was cold outside and the winter was rolling on. No one, including myself (who's a complete ham for the camera) are thinking about portraits. Our skin is dry and barely sun-kissed, there's no excitement for updated wardrobes or really the need to leave the house at all. Like most of my clients, I'd rather be In my living room, burritoed under fleece blankets watching Netflix. But being self employed, I push myself to find things that keep me on top of business during this time: new marketing tips, potential spring deals, updating my website, and YES a warm weather workshop.

There was a hot tub outside on the porch at the house. I stared longingly at it as I rolled around on the rug. I'm a soaker-by-nature gal and even this small pleasure would be my rejuvenation: being outside with the West Coast sun on my forehead. But before basking in this perfect situation, like all things, you had to earn that luxury.

Abi and Brooke dove into the work unapologetically, displaying a whirlwind of slideshows, technical settings, brain-buzzing Q&A's, and taking us to different locations to shadow them on shoots. We got the chance to photograph each other, but the catch was Abi and Brooke would be breathing down our necks. They critiqued our direction and peered over our digital camera screens to offer composition tips and what they would have done differently. Both instructors were inviting but pushy, a perfect blend of professional boot-camp coach and a friend who cares about your success.

It was rigorous. My brain started to go into overdrive, for fear that too much information was coming at me.

It took patience and creative openness to continue the stamina of this workshop to the end. I'm a note taker, so I scribbled as much as possible, hoping that all the information would stick. My favorite part was the one-on-one critique session that took place on a balcony overlooking some majestic mountains. Oh boo, life is horrible. Abi and Brooke gave their impressions of my Instagram feed (which is so fun, please DM me if you want your own read!). They noticed little things about my subconscious photo making decisions that flooded me with joy: like my obsession with color, and that it's acceptable to have oddball photo projects, just hashtag it with #myweirdbrain.

After returning home it took me a week or two to process any of it. But once I did, my intuition took control and I found myself re-ignited and utilizing so much of what was learned at "Theory the Workshop."

Keywords when shooting with models? Got it. Editing tips for Lightroom? Yay, they're still there! Pushing composition and working with difficult lighting situations? Honey, please. It's second nature now. It's like the lessons were instilled in my brain, ready to come out when I needed to use them.

No one is born with technical perfection and the foresight to know what exactly your voice is. The road to finding our own voice is difficult, but there is plenty we can do to learn and nourish our creativity. Dare to ask the questions. Find your tribe and go to them. It will always lead you somewhere breathtaking.

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FOLLOW THESE PHOTOGRAPHERS:

Thanks to all the team members of the Theory the Workshop!

Here is a list of my fellow workshoppers' Instagram accounts. Follow them because they are brave and amazing stuff swirls in their artwork:

Kate Thompson  : @bettyclicker

Shyla : @5hyla

Carly Romeo : @Twospoonsphoto

Courtney Garn : @courtneyg_photo

Brooke (instructor) : @braillegold

Abi Q (instructor) : @heyabiq & @abiqphoto

J.Tyler (me!) : @dakotalenoxphoto

THE TEAM:

Workshop : @theorytheworkshop

April (Friggin' amazing workshop food chef) : @absentkitchen

Alyssa (model) : @alyssmichelle

Jerilyndee (hair & makeup) : @jerilyndee_beauty 

Chantel Lauren (dress design) : @chantellaurendesigns

Wanna know what happened the day after the workshop ended? 

Make-up Tips For Your Professional Portrait : Contouring Secrets For The Camera

I get a lot of questions regarding what type of makeup to apply for photo shoots. Personally, I'm a fan of whatever natural face your were born with. But sometimes my clients want more answers...

So I’m giving in! For you!

I’ve studied makeup for many years and would like to provide a step-by-step guide to contour makeup to effortlessly become flawless in your next photo shoot. Follow these steps and your hashtag #iwokeuplikethis will never be more accurate!

Step 1.

Take a “Before” photo. Admire your natural skin tone, because it’s about to rapidly and delightfully change through the miracle of foundation and face paint!

From the series “Beauty is Forever Eternal”, 2016

Step 2.

To create a superior you find a foundation tone that matches your natural color. To create a brand new person choose a color that's bold! Some experts say "skin match" for foundation but contouring is about full transformation. Cover the entire face including lips and eyebrows because you can fill them into any shape you’d like in later steps. This is the perfect time to include any warrior lines you’d like to explore with white face paint, this is highlighting.

From the series “Beauty is Forever Eternal”, 2016

Step 3.

Start to find the shadows and highlights of the face using your deepest brown and white face paint or powder from your contour kit. Explore different lighting sources for added creativity and allow yourself to freely explore diagonals and shadows!

From the series “Beauty is Forever Eternal”, 2016

Step 4.

Blend blend blend! Notice the beauty of your eyebrow-less, cheekbony, matte face! Is that a new chin?! Yes! You’ve created it from your deepest desires. I’m so proud of you.

From the series “Beauty is Forever Eternal”, 2016

Step 5.

The next step is vital. Add on your new eyebrows and fill in your lips and cheeks with a hot shade of lipstick and blush.

From the series “Beauty is Forever Eternal”, 2016

Step 6.

Without a hair stylist for your photo shoot? No problem! Add a wig and change your clothes to become someone you’ve always wanted to be! Shoot all your hottie-shots and have fun while doing it.

From the series “Beauty is Forever Eternal”, 2016

Step 7. [Bonus step!]

I usually don’t share this secret, but because you’re such a loyal fan and this is the hottest beauty industry tell-all article I’ll reveal it... To remove your contouring makeup apply nature’s best exfoliant: chocolate syrup. It’ll rid you of dark circles temporarily with it’s deep opaque coverage and leave you glowing for days afterwards.

From the series “Beauty is Forever Eternal”, 2016

Thank you for reading and remember there’s nothing more beautiful than your natural face for photo shoots. Relieve yourself of the pressure and simply be you. Happy April!